In/Spectre – Season 1 (12 episodes) In this Crunchyroll Original, an enthralling, fantastical mystery mixes with the supernatural and romance, as a duo sets out to solve a series of dark incidents plaguing their world. Determined to repay her, Subaru agrees to help the girl find something she's looking for. Re:ZERO - Starting Life in Another World- (Director’s Cut) – Season 1 (13 episodes and 1 OVA) Natsuki Subaru, an ordinary high school student, is transported to another world where the only person to reach out to him was a beautiful girl with silver hair. To restore what was lost, the brothers seek the Philosopher’s Stone. Check out the titles available on HBO Max at launch as well as those anime coming to the service within its first year, below.įullmetal Alchemist: Brotherhood – Full Series (64 episodes) Disregard for alchemy’s laws ripped half of Edward Elric’s limbs from his body and left his brother Alphonse’s soul clinging to a suit of armor. Every quarter, Crunchyroll will rotate in new series as part of a curated collection they hope will appeal to anime fans both new and old. As an adult, she keeps this love of anime while visibly drawing backgrounds inspired by her desire to continuously explore the real world around her, creating an entirely new world.Related: HBO Max's Original Launch Content Is A LetdownĪt launch, Crunchyroll is making 17 of its most popular anime series available to stream on HBO Max in addition to Crunchyroll's own original series, In/Spectre. It finds a happy medium in a way that’s realistic and acknowledges both anime and life experience as equal partners in Midori’s imagination.Īs a child, Midori is inspired by every day settings and Future Boy Conan (which Miyazaki directed) alike. Somewhere between legendary anime director Hayao Miyazaki’s curmudgeonly insistence that the best inspiration comes from experiencing life rather than anime itself, and the litany of insular otaku-references that fill many anime series which only look inwardly towards other anime for inspiration, there’s Keep Your Hands Off Eizouken. In the words of Midori herself, Motohashi “takes reality and exaggerate it in a way that makes sense” in order to convey the inner workings of Midori’s creativity. She uses a variety of angles to make even the mundane seem large, fantastic, and worth exploring. There are narrow alleys to explore and buildings constantly reaching into the sky, even when the skyline is relatively clear. Her greatest achievement in introducing us to Midori and company’s every day life is how she manages to make everything simultaneously crowded and spacious. Keep Your Hands Off Eizouken‘s premiere was Mari Motohashi’s debut as an episode director and animation director (she helped direct and storyboarded later episodes in the series as well). While her drawings reminded me of entire worlds I would create with my friends in my own childhood, it’s the framing and storyboarding of Midori’s new apartment complex that caught my attention first. Rather than having us listen to Midori talk about her adventures, it simply shows her running around and then transfers this to drawings in her adventure logs, all while keeping the kinetic energy and childlike wonder of her exploration. It’s easy to see from where Midori draws her inspiration. Our initial introduction to Midori as viewers is through an imaginary world that she creates after moving into a new apartment complex. This ties into her childhood dream of wanting to be an adventurer. Watching Future Boy Conan causes a realization that people make the anime she watches and that it’s their efforts that she truly loves. When Midori discovers “the greatest world” of anime, she’s sick and stuck at home. Midori Asakusa, Keep Your Hands Off Eizouken, Episode 1 “You take something that’s totally implausible but pass it off like it is! You take reality and exaggerate it in a way that makes sense!” The greatest technical and storyboarding triumphs of Keep Your Hands Off Eizouken‘s first episode are not the flights of fancy that take Midori Asakusa, Tsubame Mizusaki, and Sayaka Kanamori into the world of their own animations but the framework of every day life that inspires them.
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